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12 Reasons Why Steven Spielberg Is Still The King Of Aliens And Space

Look, if you tell me you don’t cry during the bike flying scene in E.T., I’m calling you a liar. It’s 2026 and we are still obsessed with how Spielberg crafts extraterrestrial magic. Whether he’s giving us nightmares or making us believe in intergalactic friendship, the man never misses. I’ve watched his entire filmography—again—and I’m here to rank the highs, the lows, and the ones that lowkey changed my entire personality. Let’s go.

1. E.T. The Extra-Terrestrial is still a total emotional wreck

E.T. The Extra-Terrestrial is still a total emotional wreck

Honestly, 44 years later and I still can’t handle the Reese’s Pieces trail. With a 99% Rotten Tomatoes score, this movie is basically a religion. It’s not just about a kid and an alien; it’s about the soul-crushing realization that you can’t keep everything you love. If you haven’t rewatched this on Peacock lately, do it. I dare you not to bawl your eyes out when he says ‘I’ll be right here.’ My heart can’t take it.

2. Close Encounters of the Third Kind is pure vibes

Close Encounters of the Third Kind is pure vibes

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This movie basically invented the aesthetic of ‘mysterious lights in the sky.’ I love how it’s not just about aliens invading; it’s about the absolute obsession that comes with trying to understand them. Richard Dreyfuss building a mountain in his living room? Total mood. It’s weird, it’s trippy, and that final sequence with the giant spaceship? Iconic. No cap, this is the most beautiful depiction of contact ever put on a screen.

3. War of the Worlds is literally terrifying

War of the Worlds is literally terrifying

Okay, so this 2005 flick still keeps me up at night. The sound of the tripods? Literal nightmare fuel. Spielberg took a classic story and made it feel like a modern-day panic attack. It grossed over $600 million worldwide, and for good reason—it’s visceral. Tom Cruise running for his life while the world literally crumbles around him? It’s chaos, it’s intense, and I’m still not over that basement scene. Don’t watch this alone in the dark.

4. The emotional weight of AI: Artificial Intelligence

The emotional weight of AI: Artificial Intelligence

This one is, like, deeply upsetting. It’s technically sci-fi, but it hits way closer to home than any space movie should. Haley Joel Osment playing a robot boy who just wants his mom to love him? I’m screaming. It’s a gorgeous, haunting, and slightly depressing look at what makes us human. It’s not your typical ‘fun’ Spielberg space adventure, but it’s arguably his most thought-provoking. Bring tissues because you’re gonna need them.

5. Minority Report is the sci-fi thriller we deserve

Minority Report is the sci-fi thriller we deserve

Technically it’s futuristic tech rather than aliens, but the space-age vibe is strong. This movie predicted so much of our current tech, from targeted ads to gesture-based interfaces. It’s sleek, fast-paced, and Tom Cruise is at his absolute peak action-star level. The ‘Pre-Crime’ concept still feels like something that could happen tomorrow, which is honestly kind of terrifying. It holds up so well on streaming—I rewatch it whenever I need an adrenaline boost.

6. The sheer scale of the mothership in Close Encounters

The sheer scale of the mothership in Close Encounters

Can we talk about the size of that ship? It’s massive. It’s a masterclass in visual storytelling. Spielberg doesn’t need to show you the aliens for two hours to make you feel the weight of their arrival. He uses light, sound, and pure anticipation. It’s a masterclass in ‘less is more.’ I’m lowkey obsessed with the practical effects compared to today’s CGI heavy stuff. It just feels… real, you know?

7. Why E.T.’s bike scene remains the GOAT

Why E.T.'s bike scene remains the GOAT

I don’t care how much technology advances by 2026, nothing beats the silhouette of a bike against the moon. It’s the ultimate symbol of childhood wonder. Spielberg captures that feeling of being a kid better than anyone. When John Williams’ score kicks in? It’s over. I’m a mess. It’s the kind of movie magic that makes you forget you’re sitting on your couch eating lukewarm takeout. It’s pure, unadulterated joy.

8. War of the Worlds is a masterclass in suspense

War of the Worlds is a masterclass in suspense

The way Spielberg frames the destruction from a civilian perspective makes it so much scarier. You aren’t seeing military generals discussing strategy; you’re seeing a dad trying to keep his kids alive while the world ends. It’s raw. It’s gritty. And the ending? Some people hate it, but I think it’s exactly what the story needed. It’s a reminder that nature—or aliens—is always more powerful than we think.

9. The ending of AI: Artificial Intelligence is a gut punch

The ending of AI: Artificial Intelligence is a gut punch

I will never stop talking about the final 20 minutes of this movie. It’s polarizing, sure, but it’s also one of the most beautiful things I’ve ever seen. The idea of a robot waiting thousands of years just to have one perfect day with his ‘mother’ is just… I can’t. It’s a total mood shift from the rest of the film, but it’s the only way it could have ended. It’s hauntingly perfect.

10. Spielberg’s ability to make the unknown feel familiar

Spielberg’s ability to make the unknown feel familiar

Whether it’s the suburbs in E.T. or the farmhouse in Close Encounters, Spielberg always grounds his sci-fi in real, recognizable places. That’s his superpower. He makes you think, ‘What if this happened on my street?’ That’s why his alien movies hit differently than, say, Star Wars or Star Trek. They aren’t about space battles; they’re about how regular people deal with the extraordinary. It’s genius, honestly.

11. The legacy of John Williams’ scores

The legacy of John Williams' scores

You literally cannot talk about a Spielberg alien movie without mentioning the music. The five-tone sequence in Close Encounters? Iconic. The E.T. theme? It basically lives in my head 24/7. Williams and Spielberg are the best duo in cinema history, hands down. Without that music, these scenes wouldn’t hit half as hard. It’s the emotional glue that holds the entire alien experience together. We are so lucky they worked together.

12. Why we’ll be watching these in 2050

Why we’ll be watching these in 2050

These movies aren’t just ‘space movies.’ They’re cultural touchstones. They’ve shaped how we think about the universe and our place in it. Even with all the new sci-fi hitting theaters and streaming in 2026, nothing touches the heart and soul of a Spielberg classic. He’s the undisputed GOAT of the genre. If you haven’t seen any of these, do yourself a favor and start a marathon this weekend. You’ll thank me later.

FAQs

Which Spielberg alien movie is the best?

Most fans and critics agree that E.T. the Extra-Terrestrial is the ultimate masterpiece, though Close Encounters of the Third Kind is a very close second for its visual ambition and iconic score.

Is War of the Worlds worth watching in 2026?

Absolutely. While it’s over 20 years old, the practical effects and the intensity of the performances make it feel incredibly modern. It’s a terrifying look at survival and still holds up amazingly well today.

Does Steven Spielberg have a new alien movie?

As of June 2026, he hasn’t released a new alien-focused space epic recently, but his back catalog is currently dominating streaming platforms, proving his influence on the genre is truly timeless and untouchable.

There you have it! Spielberg is the absolute legend of the cosmos, and I’m clearly not over these movies. Whether you’re team E.T. or team Close Encounters, there’s no denying the man’s talent. Which one is your go-to comfort watch? Sound off in the comments and let me know if I missed your favorite! Don’t forget to share this with your movie-buff bestie.

What do you think?

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